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One of only a handful of extant works attributed to the Master of the Stötteritz Altarpiece, this small panel is a fine example of the heightened realism that characterized fifteenth-century Northern European painting. Author David S. Areford shows how the artist's skilful portrayal of intense human emotion is still relevant today.
Price: $17.95
Pages: 64
Publisher: D Giles Limited
Imprint: GILES
Publication Date:
12 November 2013
Trim Size: 11.00 X 8.00 in
ISBN: 9781907804267
Format: Paperback
BISACs:
"Makes a substantive contribution...by entwining visual analysis with questions of intentionality and reception that transcend the discipline of art history"—Andrea Pearson, Speculum
"lavishly illustrated"—Charlie Patton, The Florida Times-Union
"[The] most important discovery in early German painting [in decades]"—Colin Eisler, Professor at the Institute of Fine Arts, New York University
"lavishly illustrated"—Charlie Patton, The Florida Times-Union
"[The] most important discovery in early German painting [in decades]"—Colin Eisler, Professor at the Institute of Fine Arts, New York University
David S. Areford is associate professor of art history at the University of Massachusetts, Boston. He specializes in the devotional art of the late Middle Ages and Northern Renaissance. He is author of The Viewer and the Printed Image in Late Medieval Europe (2010), coeditor of Excavating the Medieval Image: Manuscripts, Artists, Audiences (2004), and coauthor of the exhibition catalogue Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public (National Gallery of Art and Germanisches Nationalmuseum, Nuremberg, 2005).
President’s Foreword and Acknowledgments
Essay by David S. Areford
Checklist
Captions for 44 images
Essay by David S. Areford
Checklist
Captions for 44 images