Something went wrong
Please try again
The Cinema of John Carpenter
Regular price
$24.00
Sale price
$24.00
Regular price
$24.00
Unit price
/
per
Sale
Sold out
Re-stocking soon
John Carpenter is a seminal figure in the history of horror and science fiction filmmaking. His work in these genres has been highly influential in their ongoing development. This book gives Carpen...
Read More
Some error occured while loading the Quick View. Please close the Quick View and try reloading the page.
Couldn't load pickup availability
- Format:
-
11 May 2005
John Carpenter is a seminal figure in the history of horror and science fiction filmmaking. His work in these genres has been highly influential in their ongoing development. This book gives Carpenter's output the sustained critical treatment it deserves. It comprises essays that address the whole of Carpenter's work, as well as others which focus on a smaller number of key films. Some essays take on wide-ranging issues such as Carpenter's approach to remakes and the question of genre, while others are organized around a specific theme or technical aspect of Carpenter's film-making. The text's key strength is that it draws upon an international group of scholars offering a variety of expertise. Films discussed include Assault on Precinct 13 (1976), Halloween (1978) and its subsequent sequels, Escape from New York (1981), Escape from L.A.(1996), The Fog (1980), The Thing (1982), Village of the Damned (1995) and Ghosts of Mars(2001). The book also features an exclusive interview with John Carpenter.
Price: $24.00
Pages: 224
Publisher: Columbia University Press
Imprint: WallFlower Press
Series: Directors' Cuts
Publication Date:
11 May 2005
Trim Size: 11.00 X 8.50 in
ISBN: 9781904764144
Format: Paperback
BISACs:
PERFORMING ARTS / Film / General
4 Stars
Ian Conrich is senior lecturer in Film Studies at University of Surrey, Roehampton and is coeditor of seven books, including the forthcoming Horror Zone: The Cultural Experience of Contemporary Horror Cinema. He has written extensively on the horror genre, with his work appearing in A Handbook to Gothic Literature, The Modern Fantastic: The Films of David Cronenberg, The Horror Film Reader, and British Horror Cinema.David Woods is senior lecturer in Media and Cultural Studies at Nottingham Trent University. He is the coeditor of New Zealand—a Pastoral Paradise? and he has contributed to Translation, Theory and Latin America: Dimensions of the Third Term and The Background to Critical Theory: From Kant to Levi-Strauss.