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The Country of Memory
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The American experience in the Vietnam War has been the subject of a vast body of scholarly work, yet surprisingly little has been written about how the war is remembered by Vietnamese themselves. ...
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01 October 2001

The American experience in the Vietnam War has been the subject of a vast body of scholarly work, yet surprisingly little has been written about how the war is remembered by Vietnamese themselves. The Country of Memory fills this gap in the literature by addressing the subject of history, memory, and commemoration of the Vietnam War in modern day Vietnam.
This pathbreaking volume details the nuances, sources, and contradictions in both official and private memory of the War, providing a provocative assessment of social and cultural change in Vietnam since the 1980s. Inspired by the experiences of Vietnamese veterans, artists, authorities, and ordinary peasants, these essays examine a society undergoing a rapid and traumatic shift in politics and economic structure. Each chapter considers specific aspects of Vietnamese culture and society, such as art history, commemorative rituals and literature, gender, and tourism. The contributors call attention to not only the social milieu in which the work of memory takes place, but also the historical context in which different representations of the past are constructed.
Drawing from a variety of sources, such as prison memoirs, commemorative shrines, funerary rituals, tourist sites and brochures, advertisements, and films, the authors piece together the disparate representations of the past in Vietnam. With these rare perspectives, The Country of Memory makes an important contribution to debates within postcolonial studies, as well as to the literature on memory, Vietnam, and the Vietnam War.
This pathbreaking volume details the nuances, sources, and contradictions in both official and private memory of the War, providing a provocative assessment of social and cultural change in Vietnam since the 1980s. Inspired by the experiences of Vietnamese veterans, artists, authorities, and ordinary peasants, these essays examine a society undergoing a rapid and traumatic shift in politics and economic structure. Each chapter considers specific aspects of Vietnamese culture and society, such as art history, commemorative rituals and literature, gender, and tourism. The contributors call attention to not only the social milieu in which the work of memory takes place, but also the historical context in which different representations of the past are constructed.
Drawing from a variety of sources, such as prison memoirs, commemorative shrines, funerary rituals, tourist sites and brochures, advertisements, and films, the authors piece together the disparate representations of the past in Vietnam. With these rare perspectives, The Country of Memory makes an important contribution to debates within postcolonial studies, as well as to the literature on memory, Vietnam, and the Vietnam War.
Price: $31.95
Pages: 284
Publisher: University of California Press
Imprint: University of California Press
Series: Asia: Local Studies / Global Themes
Publication Date:
01 October 2001
Trim Size: 9.00 X 6.00 in
ISBN: 9780520222670
Format: Paperback
BISACs:
Hue-Tam Ho Tai is the Kenneth T. Young Professor of Sino-Vietnamese History at Harvard University. She is the author of Millenarianism and Peasant Politics in Vietnam (1983) and Radicalism and the Origins of the Vietnamese Revolution (1992). John Bodnar is Chancellors' Professor of History at Indiana University and author of Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century.
Acknowledgments
Illustrations
Foreword
John Bodnar
Introduction: Situating Memory
Hue-Tam Ho Tai
Part One: Constructing Memory
1. Reading Revolutionary Prison Memoirs
Peter Zinoman
2. "The Motherland Remembers Your Sacrifice": Commemorating War Dead in Northern Vietnam
Shaun Kingsley Malarney
3. Museum-Shrine: Revolution and Its Tutelary Spirit in the Village of My Hoa Hung
Christoph Giebel
Part Two: Repackaging the Past
4. Framing the National Spirit: Viewing and Reviewing Painting under the Revolution
Nora A. Taylor
5. The Past Without the Pain: The Manufacture of Nostalgia in Vietnam's Tourism Industry
Laurel B. Kennedy & Mary Rose Williams
Part Three: Gendered Memory
6. Faces of Remembrance and Forgetting
Hue-Tam Ho Tai
7. Contests of Memory: Remembering
and Forgetting War in the Contemporary Vietnamese Cinema
Mark Philip Bradley
Afterword: Commemoration and Community
Hue-Tam Ho Tai
Glossary
Bibliography
List of Contributors
Index
Illustrations
Foreword
John Bodnar
Introduction: Situating Memory
Hue-Tam Ho Tai
Part One: Constructing Memory
1. Reading Revolutionary Prison Memoirs
Peter Zinoman
2. "The Motherland Remembers Your Sacrifice": Commemorating War Dead in Northern Vietnam
Shaun Kingsley Malarney
3. Museum-Shrine: Revolution and Its Tutelary Spirit in the Village of My Hoa Hung
Christoph Giebel
Part Two: Repackaging the Past
4. Framing the National Spirit: Viewing and Reviewing Painting under the Revolution
Nora A. Taylor
5. The Past Without the Pain: The Manufacture of Nostalgia in Vietnam's Tourism Industry
Laurel B. Kennedy & Mary Rose Williams
Part Three: Gendered Memory
6. Faces of Remembrance and Forgetting
Hue-Tam Ho Tai
7. Contests of Memory: Remembering
and Forgetting War in the Contemporary Vietnamese Cinema
Mark Philip Bradley
Afterword: Commemoration and Community
Hue-Tam Ho Tai
Glossary
Bibliography
List of Contributors
Index