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The Late Show

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Pop-culture, private memory, and formalist sensibility meet in David Trinidad's long-awaited new collection.
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  • 01 September 2007
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“Deeply personal, yet coolly postmodern, no other writer besides David Trinidad makes the interface between our private memories and our cultural ones seem so seamless. Variously giddy, gossipy, melancholy, obsessive, and euphoric, Trinidad's voice has an amazing plasticity as he slips between genres and forms, tradition and invention, with assurance and grace. The Late Show is a unique collection of interlocking facets: part literary memoir, part film encyclopedia, part shrine and memento mori—and always undeniably, pure poem.”—Elaine Equi

“A beautiful study in detail and devotion. . . . Frame by frame this book is a tremendously engaging, soulful read.”—Anselm Berrigan

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Price: $16.95
Pages: 96
Publisher: Turtle Point Press
Imprint: Turtle Point Press
Publication Date: 01 September 2007
Trim Size: 9.30 X 6.50 in
ISBN: 9781933527093
Format: Paperback
BISACs:

Modern & contemporary poetry (c 1900 onwards), POETRY / American / General, POETRY / LGBTQ+, LGBTQ+ Studies / topics

“Deeply personal, yet cooly postmodern, no other writer besides David Trinidad makes the interface between our private memories and our cultural ones appear so seemless. At times, variously giddy, gossipy, melancholy, obsessive, and euphoric, his voice has an amazing plasicity as he slips between genres and forms, tradition and invention,with assurance and grace. The Late Show is a unique collection of interlocking facets: art literary memoir, part film encyclopedia, part shrine and momento mori—and always undeniably, pure poem.” —Elaine Equi
David Trinidad teaches at Columbia College, Chicago. He has taught at Rutgers, Princeton and Antioch (L.A.). His previous poetry collection, Plasticville, was published by Turtle Point Press in 2000. That book was shortlisted for the Lenore Marshall Prize of The Academy of American Poets. With Denise Duhamel and Maureen Seaton he edited Saints of Hysteria.