What is the logic of design process? Departing from this question, Tiago da Costa e Silva investigates the characteristic feature of every projective activity, for instance, in architecture, design, engineering design, and in the arts. In opposition to predominant views that understand design processes as mechanical and deterministic, this study, with the help of the semiotics of Charles S. Peirce, characterizes design activities as continuous and serendipitous interplays of esthetic and abductive processes that define rules and manifest forms. Tiago da Costa e Silva concludes that invention and discovery, manifested in the form of processes of abduction, actively pervade every development in any given context of design process.
Price: $45.00
Pages: 364
Publisher: transcript publishing
Imprint: transcript publishing
Series: Design
Publication Date:
17 September 2019
Trim Size: 8.86 X 5.83 in
ISBN: 9783837643770
Format: Paperback
BISACs:
DESIGN / History & Criticism, ART / Criticism & Theory, PHILOSOPHY / Aesthetics
Tiago da Costa e Silva, born in 1978, researches design processes, semiotics, esthetics, and cultural techniques (Kulturtechniken) with special focus on form-giving processes, as well as on processes involving invention and discovery. A specialist in the field of the semiotics of Charles S. Peirce, he has been awarded the "Charles S. Peirce Young Scholar Award" for his publication on esthetic processes related to discovery. He is specialized in the fields of industrial design, visual communication, theory of communication, and semiotics as well as in theory and history of design. He is currently part of the research staff of the Cluster of Excellence Image Knowledge Gestaltung and of the Department of Cultural History and Theory (Institut für Kulturwissenschaft) at the Humboldt Universität zu Berlin, Germany.
Frontmatter 1
Table of Contents 5
Preface and Acknowledgements 9
Introduction 17
On the Intrinsic Processuality of Design Process 29
Research Problems and the main Hypothesis of the Present Inquiry 73
Psychological Foundations: Creativity, Invention, Association, and Problem Solving 117
The Traditional Bases of Design Process: Invention, Discovery, and Creativity According to Modern Psychological Investigations 159
A Problematic Tradition: Sign Theories in the Context of Design Process 193
The Semiotics of Charles S. Peirce in the Context of a Philosophical Architecture 233
Detailed Review of Peirce's Semiotics: Semiosis, Interpretation, and Pragmatic Operation 267
Design Process in Light of Semiotics: Symbiotic Operations Inherent to the Semiosis of Design Process 295
List of Figures 343
Bibliographical References 345
