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This contemporary African classic tells the story of seven unforgettable Kenyan women as it traces more than sixty years of turbulent national history. Like their country, this group of old women is divided by ethnicity, language, class, and religion. But around the charcoal fire at the Refuge, the old-age home they share in Nairobi, they uncover the hidden personal histories that connect them as women: stories of their struggles for self-determination; of conflict, violence, and loss, but also of survival.
Each woman has found her way to the Refuge because of a devastating life experience—the loss of family and security to revolution, emigration, or poverty. But as they reflect upon their tragedies, they also become aware of the community they have formed—a community of collective history, strength, humor, and affection. And they learn that they are more connected than they know, as the murder of a student in the neighborhood reveals how their lives have intersected across generations, how securely the past is tied to the present—and to the future—of their young nation.
Each woman has found her way to the Refuge because of a devastating life experience—the loss of family and security to revolution, emigration, or poverty. But as they reflect upon their tragedies, they also become aware of the community they have formed—a community of collective history, strength, humor, and affection. And they learn that they are more connected than they know, as the murder of a student in the neighborhood reveals how their lives have intersected across generations, how securely the past is tied to the present—and to the future—of their young nation.
Price: $15.95
Pages: 192
Publisher: The Feminist Press at CUNY
Imprint: The Feminist Press at CUNY
Series: Women Writing Africa
Publication Date:
01 December 2000
Trim Size: 8.40 X 5.50 in
ISBN: 9781558612488
Format: Paperback
BISACs:
Praise for The Present Moment
"Peasant, trader, seamstress, coffee picker, housemaid, and more, these are the womanhood of Kenya. . . . Here is a shared wisdom, a common poetic voice. Macgoye paints a group portrait colored by deep respect, compassion, and admiration." —Commonwealth Today
"With the vividly specific economy of the best poetry . . . [Macgoye] confers a stature and significance on humble lives; or, rather, shows that behind the most unpromising human facades lurk lives of extraordinary courage, enterprise, and resilience." —Sunday Nation (Nairobi)
"The Present Moment bears witness to the predicament of . . . a community of human beings whose existential room for maneuver is only just more spacious than that of slaves. Macgoye treats this subject matter with remarkable restraint. . . . Rather than rail against the injustices of colonial rule, she allows them to become self-evident . . . in the stories [each woman] tells. . . . Ambitious [and] effective." —London Review of Books
"Macgoye’s major virtue as a writer and social critic is the inclusiveness of her vision. Nothing human is alien to her. She refuses to bestow virtue or villainy along ideological or gender lines." —Weekly Review
"With the vividly specific economy of the best poetry . . . [Macgoye] confers a stature and significance on humble lives; or, rather, shows that behind the most unpromising human facades lurk lives of extraordinary courage, enterprise, and resilience." —Sunday Nation (Nairobi)
"The Present Moment bears witness to the predicament of . . . a community of human beings whose existential room for maneuver is only just more spacious than that of slaves. Macgoye treats this subject matter with remarkable restraint. . . . Rather than rail against the injustices of colonial rule, she allows them to become self-evident . . . in the stories [each woman] tells. . . . Ambitious [and] effective." —London Review of Books
"Macgoye’s major virtue as a writer and social critic is the inclusiveness of her vision. Nothing human is alien to her. She refuses to bestow virtue or villainy along ideological or gender lines." —Weekly Review