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The Social Organization of Arts

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The authors critically discuss seven major theories of the social organization of arts in Western societies, with the aim of encouraging further research and theoretical developments.
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  • 25 February 2025
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In recent decades, social and economic changes have brought about a growing awareness of the role of art and culture in society. As a result, scholars have turned their attention to a sociological view of arts, developing hermeneutic approaches and conducting empirical research that have led to a wealth of insights into the organization of arts. These studies of the creation, production, distribution, evaluation and consumption of arts are clearly sociological, but they include approaches from other disciplines, notably arts management studies and cultural policy research. Volker Kirchberg and Tasos Zembylas critically discuss seven major theories of the social organization of arts in Western societies, with the aim of encouraging further research and theoretical developments.
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Price: $45.00
Pages: 274
Publisher: transcript publishing
Imprint: mdwPress
Series: mdwPress
Publication Date: 25 February 2025
Trim Size: 8.86 X 5.83 in
ISBN: 9783837672848
Format: Paperback
BISACs:

SOCIAL SCIENCE / Sociology / General, ART / Criticism & Theory, SOCIAL SCIENCE / Popular Culture

»Kirchberg and Zembylas have produced timely and insightful intervention into the sociology of arts. By revisiting and reinterpreting established theoretical traditions, they reassert the importance of the social organization of the arts as a foundational concern for the field. Their compendium offers both a solid pedagogical framework and a critical mapping of key theoretical debates.«

Volker Kirchberg is a professor for sociology of the arts at Leuphana Universität Lüneburg in Germany. His research fields are sociology of arts and culture, organizational arts sociology, studies of museums and society, and urban sociology. He has been section head and board member of the international sociological research networks of the European Sociological Association and of the International Sociological Association, as well as of the Association of Cultural Management Studies (of the German-speaking countries). His recent research interests lie in the interfaces of arts & culture, cities, and cultural sustainability.
Tasos Zembylas has been professor for cultural institutions studies at Universität für Musik und darstellende Kunst Wien since 2003. He is member of the Advisory Board of the Research Network Sociology of Arts (European Sociological Association) and founding member of the Research Network on Implicit Knowledge (Forschungsnetzwerk Implizites Wissen). His research specializations include the sociology of artistic practices, public cultural policies, and the institutional analysis of arts.

Preface
Chapter 1 | Introduction

PART I
Chapter 2 | Art Worlds as Collectives
Chapter 3 | Fields of Cultural Production
Chapter 4 | The Organization of Art as a Social System
Chapter 5 | A Comparative Discussion of the Theories of Becker, Bourdieu and Luhmann

PART II
Chapter 6 | The Production of Culture Perspective
Chapter 7 | Sociological Neo-Institutionalism: Organization of Arts as a Social Construction
Chapter 8 | Cultural Institutions Studies
Chapter 9 | Comparing the Production of Culture Perspective, the Sociological Neo-Institutionalism and the Cultural Institutions Studies
Chapter 10 | Networking the Arts – Going Beyond the Discussed Theories

APPENDIX
References
List of Figures
Name Index
Subject Index