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What Is a Classic?

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Examines the residual influence of the Eurocentric literary canon in the age of postcolonial and world literature and looks at emergent formations of canons and classics at large.
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  • 13 November 2013
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What Is a Classic? revisits the famous question posed by critics from Sainte-Beuve and T. S. Eliot to J. M. Coetzee to ask how classics emanate from postcolonial histories and societies. Exploring definitive trends in twentieth- and twenty-first century English and Anglophone literature, Ankhi Mukherjee demonstrates the relevance of the question of the classic for the global politics of identifying and perpetuating so-called core texts. Emergent canons are scrutinized in the context of the wider cultural phenomena of book prizes, the translation and distribution of world literatures, and multimedia adaptations of world classics. Throughout, Mukherjee attunes traditional literary critical concerns to the value contestations mobilizing postcolonial and world literature. The breadth of debates and topics she addresses, as well as the book's ambitious historical schema, which includes South Asia, Africa, the Middle East, the West Indies, Australia, New Zealand, Europe, and North America, set this study apart from related titles on the bookshelf today.

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Price: $140.00
Pages: 296
Publisher: Stanford University Press
Imprint: Stanford University Press
Series: Cultural Memory in the Present
Publication Date: 13 November 2013
Trim Size: 9.00 X 6.00 in
ISBN: 9780804785211
Format: Hardcover
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"Mukherjee's examination of postcolonial rewriting doubtlessly constitutes a major contribution to current postcolonial literary criticism, introducing new perspectives into a debate that almost seemed to have reached a dead end. What is a Classic? is both accessible and intellectually sophisticated; moreover, it stands out due to the enormous scope of the material that is used by the author."
Ankhi Mukherjee is Professor of English and World Literatures at the University of Oxford and is a Fellow of Wadham College. She is the author of Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction (2007).